March 2004

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Music
New music on the decks by Matthew Clark

TALKIE WALKIE
by AIR
on VIRGIN RECORDS
Rating: *****

Jean Benoit Dunckel and Nicholas both grew up in Versailles, met at college, and formed Air in 1995. Several singles and their debut album caused a considerable stir. Air’s music is distinct and imaginative techno of a slower, ambient, fluffier kind, one of their hallmarks being an intriguing mix of exotic samples. Everything gets slowed down, and juiced through bizarre filters. Their recordings feature orchestral, classical and even mock-disco motifs, laced with samples of horns, film music, and electronic bubbles. This is their fifth album, and it’s another multi-faceted adventure. In some ways more melodic than some of their previous work this album also has a more mature feel, excelling in both production and musical imagination. To some extent the pop and polish erodes Air’s distinctive spacey urban edge. Nevertheless, there are some truly knock-out moments.

SET LIST
by THE FRAMES
on ANTI RECORDS
Rating: ****


The Frames, led by singer, songwriter and guitarist Glen Hansard, made their debut at a music festival in their hometown, Dublin, in 1990, releasing their first album, Another Love Song, in 1992. They have since released another five albums, three of which went platinum in Ireland. For some years they have been steadily gaining an enthusiastic band of devotees, who are particularly dotty about their live shows. The band is basically a five-piece rock band (including a violinist), and is becoming another of those massive Irish rock exports. Although not novel in terms of style, or virtuosity as musicians, The Frames nevertheless have an engaging Celtic charm and natural musical expression that is immediately appealing. This album features many of their more popular songs from previous releases, and the audience just love it.

CROWNING GLORY
by KING BATHMAT
www.kingbathmat.com
Rating: ****


John Basset certainly chose a highly unusual, if unforgettable name as an alias. For the last seven years he has been working at his music, and released his debut album, Son of a Nun in 2003, an album that scored some very favourable reviews. Crowning Glory is his second album. King Bathmat, who lives in Hastings, is an entirely one-man outfit. The songs are all written and recorded by John, who also handles the distribution and promotion of his recordings. He does a very professional job, producing, essentially, good quality Brit-pop. At times somewhat reminiscent of Oasis or Coldplay, the album is sensitively produced, with good musicianship and some great melodies. The sophistication of what Bathmat manages to achieve on his own makes you wonder what sort of levels he might achieve should he ever get signed to a label with some clout.

Youth in Dub
by Orchestra Mystique
www.Youth.me.uk

Rating: ****


The main man of the Veils is singer/songwriter and guitarist, Finn Andrews. Finn was born in London, in 1983, and got into music after moving to New Zealand in his early teens. There, he played regularly in a twelve-piece folk band in a folk club located in a gun bunker, situated half way up a dead volcano near Davenport. Moving to London in 2000, he started the Veils, essentially a Brit-pop-sound band, who signed a deal and started recording an album. A legal wrangle with the record company resulted in extensive delays and the band changing labels. Three singles were finally released, and now their debut album. Finn has a great voice and is a capable songwriter, and the band deliver all the necessary scope of sound. The album is a competent debut, but tends to be somewhat thin when it comes to stand-out moments.

copyright The Insight 2004



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