March 2001
 

 

 

 

 

 

 

 

 

 


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cinema

Chocolat
US 2000, Cert 12
Director: Lasse Halström
Star Rating * * * *

In 1959, Vianne Rocher (Juliette Binoche) and her daughter Anouk (Victoire Thivisol) arrive in the traditional French village of Lansquenet where nothing much has changed for over a century. Vianne sets to work opening a chocolaterie filled with irresistible confections and chocolates which awaken the hidden appetites of various townspeople. She seems to have a knack of perceiving each individual's hidden desires, but soon develops an enemy in the shape of righteous local nobleman Comte de Reynaud, Alfred Molina. Vianne's presence has a profound effect on the lives of many local people, including 70-year-old libertine Armande, Judi Dench. When another outsider, Johnny Depp, arrives, Vianne begins to realise her own secret desire: an urge to belong.

Chocolat is a comic fable, the moral being that just one taste of life's pleasures can profoundly change a person, a relationship, even a town. Directed by Lasse Halstrom, The Cider House Rules, My Life as a Dog, What's Eating Gilbert Grape and adapted by Robert Nelson Jacobs from the novel by Joanne Harris, this romantic morality tale may be slightly lacking in substance but has an undeniable magical quality about it - indeed the pleasure of this film grows over time and isn't easily dismissed. Director Halström weaves an enchanting tale, which he views ultimately as a multi-faceted cry for tolerance - not just for indulgent pleasures like chocolate but tolerance for the wide expanse of human foibles and quirks.

At the centre of this film is an outsider, a free-spirited woman whose chocolates arouse lost passions, but also religious indignation. Chocolate works well as a metaphor for the liberating powers of pleasure, and this well-made, deceptively simple movie-with-a-moral undoubtedly has a broad appeal, transgressing, as chocolate itself does, cultural and national boundaries. Already multi-BAFTA nominated, it has now been Oscar nominated in no less than five major categories: Best Actress in a Leading Role, Juliette Binoche; Best Actress in a Supporting Role, Dame Judi Dench; Best Original Score; Best Adapted Screenplay; and Best Motion Picture. A delectable and soft-centred treat, packed full of charming performances to warm the heart.
Duke of York's and Odeon from March 2

The Gift
US 2000, Cert. 15
Director: Sam Raimi
Star Rating * * * 1/2

In the small American town of Brixton, widowed mother Annie Wilson, Cate Blanchett, gives psychic readings to neighbours to make ends meet. With three young children to support she struggles to help troubled townspeople like tormented car mechanic Buddy (Giovanni Ribisi) and bruised, abused housewife Valerie (Hilary Swank).

Valerie's violent husband Donnie (Keanu Reeves) threatens Annie and her children, and soon afterwards a young woman goes missing, believed murdered. Desperate for leads, the local police consult Annie, hoping that her 'gift' will help solve the mystery. Suddenly the supernatural becomes terrifyingly real when Annie experiences visions and realises that she must find the killer to save her own life.

Underpinned by a strong script by Billy Bob Thornton, apparently the heroine is based on his mother, and Tom Epperson, this supernatural thriller is a cut above the average, and a superb example of the genre: tense, intriguing, fast-paced and scary. A top-notch cast brings the characters to life, with Cate Blanchett and Keanu Reeves particularly impressive - you've never seen Keanu like this before! While director Sam Raimi proves that his previous hit suspense thriller A Simple Plan was no fluke.

The cinematography too is excellent - the setting is deepest, darkest hicksville, with fog shrouded swamps and gnarled mangroves providing the moody atmosphere for smouldering redneck resentments. Gothic, gripping and great fun. www.thegiftmovie.com
Odeon and UGC from March 2

copyright New Insight 2001



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