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Are London-tired, moneyed
meritocrats escaping to the sea, pushing up house prices and
creating an alienated underclass from the very creative
community that first attracted them? Claire Rigby reports claire@theinsight.co.uk
Down by the West Pier in the
scorching summer of 1995 Brighton's famous sub-culture was
flourishing. Every Sunday a crowd gathered to play drums and
dance. It was a typical spontaneous Brighton scene, and visible
proof of the town's bohemian credentials. The following year,
despite attempts to regulate the noise, residents who could hear
the drumming eventually won the day. The djembes were nudged
aside by a short-lived go-cart track, while the market, which
fell from favour last year, and still faces an uncertain future,
was encouraged to expand in order to 'crowd the drummers out'.
On the much-admired new seafront
there is now no shortage of entertainment and organised cultural
activity. But the Brighton culture that the drummers represented
has become harder and harder to find as the process of
gentrification and rising prosperity transforms the face of the
city. Just one of the many sub-groups which co-exist in Brighton
& Hove, they seem to have melted back into the underground.
Brighton & Hove has always
been a magnet whether people come to live here, to study, for
the gay scene, or escaping something. They have always
appreciated the quality of life in this laid back town where
they can spend the best years of their lives strumming guitars.
But recently the word on the street is of newcomers buying in to
the Brighton dream and bringing with them hard cash. Things are
changing, and slacker types and locals minding their own
business are finding themselves struggling with a faster pace of
change and rising prices.
At the forefront of the city's
metamorphosis is the council, with talk of economic regeneration
and digital futures. The town has undergone a civic
transformation, changing its name to include Hove in 1997, and
then from town to city in the blink of an eye in 2000. If last
year's city bid served to celebrate some of the population's
hopes and expectations, winning it has also given a focus to the
fears of many residents, who worry that the effects of growth
will exclude them and bring dubious benefits.
The council is playing down city
status as a sort of rebranding of the town for marketing
purposes, a spin on people's perception: "It's about how
we're seen by the outside world", a council spokesman told
The Insight. It was: "a publicity stunt, a chance for us to
show off as a city. It's just part of a continual campaign to
regenerate the place. The idea was to raise the profile of
Brighton & Hove nationally, and to get people to look at us
in a new way, particularly employers." Other benefits city
status bestows include the ability to better "position us
in the city-breaks market" and a bid for the title of
European City of Culture for 2008.
The council hopes business, both
home-grown and new to the town, will help provide
"sustainable and inclusive prosperity" through jobs.
It has created a new Economic Partnership to nurture economic
regeneration, which will be 'business-led to make sure that, as
far as possible, economic conditions support the needs of local
companies.' "The dream is of lots of high-skilled well-paid
jobs. If we can get companies here offering decent money,
everyone will benefit." Eyenetwork, a videoconferencing
booking service, is one of the new media companies the city is
so keen to attract. It started up here in 1999 with one
employee, now has four and business has trebled. The company's
plans for further expansion have been boosted recently by a
large capital investment and is planning to take on more staff.
Lisa Honan, its director, is keen they should be local. "I
wouldn't look to headhunt in London when there is so much talent
down here," she says.
Well paid jobs and the growing IT
and new media industries in Brighton & Hove may be good news
for the one third of the population who have degrees or IT
skills. But there are fears that this kind of economic
regeneration will further widen the divides which already exist
not between the two former towns, but along class lines.
Businesses like the growing call centre sector bring work to the
city. But wages are currently 9.5 per cent lower than the
national average and agency wages for call centre workers are
lower in Brighton than in Birmingham. It's no coincidence that
Brighton & Hove came first in a study of the most profitable
places to do business in the country in 2000, yet it also
contains some of the top ten per cent most deprived areas.
Well aware of the gap between the
two Brightons, council departments are equally successful at
attracting funding for the economically deprived areas in the
Place to Be which hide behind its Regency facades. The city
receives more money from the Single Regeneration Budget than
anywhere else in the Southeast, nearly £100m, and has recently
been chosen for a £50m package from the pilot New Deal for
Communities to address poverty in East Brighton. With
unemployment at 3 per cent above the regional average, the kind
of jobs which are created as the city grows will be crucial for
the 'sustainable and inclusive prosperity' it needs. Nearly a
third of adult residents lack basic numeracy and literacy, and
despite the two universities, a lower than average number of
local youngsters enter further education. "You can't just
create employment without looking at who needs it in
Brighton," says Jenny Backwell, director of Brighton
Housing Trust. "If you were to set up a high tech computer
business in Brighton you would probably have to import people.
You might then say, 'I have created forty jobs,' but they will
not be for the kind of people I am concerned about, who cannot
find anywhere affordable to live because their overall income is
very low. House prices are getting higher partly as a result of
Londoners moving in."
Sheriden O'Connell at Blakers
residential sales and lettings can confirm this. "Through
the week about 80 per cent of customers are relocating to
Brighton and 60-70 per cent of those are from London. Rocketing
house prices in London have a lot to do with it, but we also see
quite a few people relocating for work related reasons.
Buy-to-let is also popular, because the rental market is very
buoyant." But Jenny Backwell says: "about one third of
the population in Brighton cannot pay for their own housing
costs." Brighton & Hove Council pays out £40m a year
in housing benefits, effectively subsidising private rental.
"Housing benefit distorts the market. If you put all that
money into building social housing you would have an asset, you
would get an income from it, and you could maintain it. Rents
would be half that of the private sector, and it would cut
housing benefit."
London's Evening Standard
recently described Brighton & Hove as a "cosmopolitan
alternative to London" for, ironically, families who are
being priced out of London. "Houses are similar but at a
much lower cost." It lists the desirable areas: the Regency
squares, Clifton Hill, Hanover and Poets' Corner. Many locals
are losing hope of ever entering the property market as buyers.
Paul Wiseman, who owns the Pavilion Pine workshop in Regent
Street is lucky enough to have bought some years ago.
"People who have their own home thank their lucky stars.
But your gain is someone else's loss. Maybe it's okay for me,
but so what? My son, who is nearly 16 and likes it here, gets
quite depressed and worries that in his home town he won't even
be able to rent." Paul Dickinson, a freelance ecological
consultant, settled in Brighton when the pull of his Sussex
Square weekend flat made it his full-time home. "Brighton's
like an addictive drug - it's the pull of the sea. It's very
cosmopolitan, has wonderful shops and really good housing stock.
It's a shame locals can't afford to live in Brighton, I can't
afford to live where I grew up, in Hampstead."
Writer and actor Clive Ford has
lived in Brighton all his life. "Every time I turn on the
TV, I see another ad filmed in Brighton. When we were trying to
sell scripts, we were often asked: 'How can we make Brighton the
star?' We said it's not, it's the backdrop. But they like to
perpetuate the Brighton myth because it sells. It used to
attract true bohemians, now it attracts tired London media
types. Brighton is being repackaged and sold as some sort of
Xanadu. In some ways I blame people like Julie Burchill who come
down and claim Brighton for their own, she writes about Brighton
like she's selling it."
Burchill responds: "I see
his point, but I'm not going to apologise because I didn't for a
moment realize how much Londoners hated their home and were
desperate to relocate. I had NO idea they'd be flocking down
like rats after the Pied Piper. I moved down six years ago when
Brighton was still a town of great diversity and originality -
before it was sold off to brewers and assorted highest bidders.
I bought my house for a quarter of a million pounds from a
couple retiring to Bath, so I can hardly be accused of doing
some young native Brightonian out of their first step on the
property ladder. When Londoners come down and buy one or
two-bedroom flats, this is what they are doing. I predict that
in 20 years time nurses and teachers won't be able to afford to
live here, and we'll wake up in a place that is somewhere
between a brothel, a playpen and a huge brewery… I just want
to know how the council can justify spending so much money on
window dressing and nothing on the infrastructure."
A sorely needed new library is
set to begin rising from a derelict site on Church Street in
late July. The project is a PFI partnership between the council
and Norwich Union PPP which will build and run the library, down
to the books, in return for ownership, or a long lease, of all
the non-library land. Its plans for the site include housing,
retail premises, offices, surgery and a 'boutique hotel'. Land
on the other side of Regent Street is to be redeveloped for
commercial use on the ground floor. Komedia has plans for
expansion, and high hopes that it can strike a deal with Norwich
Union to take a leading role in its redevelopment.
Brighton & Hove Wood
Recycling Project were surprised to find itself excluded from
Komedia's February brochure in drawings of a planned four-storey
extension. The Project describes itself as a "financially
self-supporting not-for-profit environmental group," whose
aims are to recover and reuse some of the vast quantities of
timber needlessly being landfilled from building sites. Perhaps
the most interesting thing about the project is its unusual
employment system. With five full-time and one part-time workers
are half a dozen volunteers who give their time to the project
on the understanding that when they have created enough economic
activity to create a job, it will be theirs. "The people
who work here don't consume jobs, they don't answer adverts or
go through an interview process," says founder Richard
Mehmed. "They choose the project and create their own jobs
- that's why they're so committed."
The council is aware of a
scarcity of business premises - a recent study ranked Brighton
& Hove 96th out of 100 for the suitability, quality and
availability of its property. The prospect of finding and paying
for new reasonably sized premises at market rates is making
members of the Wood Recycling Project apprehensive, although the
council has been charging them low rent on a short-term lease.
Mehmed is philosophical. "I'm not whingeing about being
thrown out - we always knew it was short-term and it's moved us
on being here. But it does raise issues about what place there
is in the town for low-tech, low-capital businesses which
require space."
Attracting business and bringing
prosperity is also bound to add to the accommodation problems
the city already faces. The council's cross-town consultations
on the future of Brighton & Hove included a survey called
'The Place to be Creative'. "Quality of life for the
artistic community," as Paul Hudson, acting Project Manager
for Arts and Culture points out, "comes down to what
artists can afford to pay themselves." Money from South
East Arts means that there's a lot more funding around now for
arts. But Daniel Bernstein, who took part in the survey, thinks
that what came out of it most strongly was the need for quality
of life, "not money or jobs, though that's part of it. What
they wanted most of all was to be able to afford to live
here."
Rising house prices, and the
insecurity this brings for those outside the property market,
are part of a national tendency which is market-led. But some
are concerned that exercises such as the city bid may have
unforeseen consequences. Londoners who have come down to escape
the rat-race may be surprised to find the town rapidly becoming
a city in ways the Place to Be campaign never intended.
"Brighton is becoming a victim of its own success,"
says Clive Ford. "It should be very careful what it wishes
for - it might come true."
copyright New Insight 2001
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